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How do you know when to upgrade your instrument?
Moving up to a higher quality instrument should be based on more than playing ability. Part of the reason someone moves up to a higher-level instrument is that they want to continue playing an instrument for years. They have decided that their horn is the instrument they want to play through high school. An intermediate or professional grade instrument will grow with them as they develop as a musician. Another factor in the decision is the student's maturity level. You should only move up to a higher-level instrument if the student can care for the instrument. If your son/daughter is still "accidentally" denting their student instrument, wait until they have shown they can care for an instrument before moving up. A final reason to move to a higher quality instrument is the tone capabilities of the current instrument. If your son/daughter is playing on a dented, leaking student instrument they may struggle playing at the next level. Brass playing should be enjoyable for the player and the listeners.
Student Trumpet
Professional Trumpet
Bell: The bell will typically be hand hammered from one piece. The bell may be modeled after other instruments, for example the #37 bell is used by many manufacturers and is modeled after the #37 bell of the Bach Company. Different bell shapes and tapers create different sound types. For example the #72 bell has a darker tone than the #37 bell. Leadpipe: The leadpipe may be light, heavy, or reverse lead. The most common non-custom choice on trumpets is a reverse lead. This "reverse" is seen where the main tuning slide meets the leadpipe. The traditional leadpipe fits around the tuning slide. A reverse leadpipe flows into the tuning slide allowing for an easier airflow. Different weights can impact the sound quality as different weight bells change the sound quality. Tuning Slide: The tuning slide will be "D" shaped or a modified "D" shape. The shape of this first turn has a slight impact on the tone of the instrument. Professional level horns will typically have double bracing, but this is not always the case as Schilke brand trumpets have no bracing at the tuning slide. Some manufacturers prefer the Amado water keys because they may cause less turbulence and the springs on the Amado keys are only under pressure when depressed. There is some debate if the sound quality is different. Quality Control: Professional trumpets are made with computer controlled lathes and craftspeople. The tolerances are much smaller and parts fit perfectly. Materials: Manufacturers experiment with different alloy and combinations in order to find the best sounding instrument. Valves are made with stainless steel or Monel. These materials are slightly softer than nickel and create the feel of a perfect valve. Professional instruments come in a variety of finishes: lacquer, silver- plated, gold plated, or a brushed brass finish. Each finish has a slightly different effect on the tone of the instrument. Weight and Bore Size: The bore size can range from small (0.453) to large (0.468). Typically, the larger the bore the more air is needed to play. Some trumpet experts feel that large bore instruments blow more freely, some feel it is more to do with the balance between the bell shape, leadpipe, and bore size. Some manufacturers have also increased the weight of the instrument to change the tonality. The belief is that a heavier instrument will project the sound better and less "sound energy" will be absorbed by the instrument. Mouthpieces: Professional level trumpets may or may not come with a mouthpiece. By the time someone is considering a trumpet for this level, they have most likely upgraded their mouthpiece to a more advanced mouthpiece. Cases: Professional level trumpets come with heavy-duty cases made of wood with some covering. The interiors are more spacious so that players can transport mutes, stands, oil, and grease without damaging the instrument. Some cases are designed for two trumpets.
Vermont Brass~ Student vs Proffessional Instruments
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